the organized chaos of this room is forcing me into lines, boxed shapes. the manufactured grain of the wood matches the flyeye speakers.
bands on my fingers, synthetic on my toes, structured, man-made.
the whorls of shadow, cast by my confusion don't fit in the drawers.
there are edges and middles and we make it, we create it, we place it there and expect it to be there upon our return and it is, because we are the makers. we are the water. the icebergs and this room is the ground, the mountains, aching for valleys to mediate the jagged edges, to promote the raw sexuality of the straining molecules. this is the room with the chemical paint finish. with the flat realities and legal identities. this is the room without glass portals, this is the room of our descent.
my memory knows something else. something farther away. where the whorls are lifted, memorized. in that place we impose labels, lines, but they are shaken. they are thin veils, sheer, flirty. useless. for when the dance starts, those veils fall, one-by-one, and we are left naked, exposed to our others. in the place we haven't created, we change nothing and it will always change. in this place birthmarks become continent maps. wineglasses are swimming pools for butterfly nannies, where nailpolish is a figment of the goats imagination. we are in the valleys, the left over sex-scent of carnal beginnings. we are inanimate. we are the intimate. we are there and that is us and without our veils we fly apart, our pieces finding niches. our glistening, is all the light and we are all that we can see, hear, we are the sensation of a lovers tongue, we are the tip of destruction and the definition of breathe.